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- <text id=94TT0362>
- <title>
- Apr. 04, 1994: Music:Bonnie and The Blues
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Apr. 04, 1994 Deep Water
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 78
- Music
- Bonnie and The Blues
- </hdr>
- <body>
- <p>Bonnie Raitt is back with a flinty, resonant new album, as bluesy
- and beautiful as they come
- </p>
- <p>By Richard Corliss--Reported by Jeffrey Ressner/Los Angeles
- </p>
- <p> The music isn't called just blue. It's the blues; it holds
- a hundred shades of misery and ecstasy. And Bonnie Raitt, the
- show-biz baby who went to Radcliffe and looks like Meryl Streep's
- grittier sister, finds those shades in her songs. She wears
- tinges of folk and rock, country and pop, but her regular outfit
- is multihued blue. She makes it so smart that when she sings
- it, it's everyone's favorite color.
- </p>
- <p> Raitt knows the blues is gut music, halfway between groin pulse
- and heartbeat. The trick, or the wisdom, is to embrace those
- sexual and spiritual polarities. That's Raitt's strength. In
- a single phrase her voice can skip from sweet to rowdy, as if
- she were sipping church-social lemonade one moment and gargling
- rotgut the next. Meanwhile, her handsome slide-guitar work instantly
- sets a song's mood. Over the course of the 12-song set on her
- fine new album, Longing in Their Hearts, Raitt takes you to
- hell and heaven and safely back home, wherever you live.
- </p>
- <p> By now--she's 44 and hitting the quarter-century mark in a
- career that flowered into stardom in 1989 with her multiplatinum,
- multi-Grammy-winner Nick of Time--Raitt has lived in most
- of the places she sings about. She has raised hell and been
- nearly crushed by it. The authority she puts into a lament called
- Circle Dance ("After a while I learned that love/ Must be a
- thing that leaves") didn't come from convent life. But the nights
- of high-wire partying are now song fodder; in one of her new
- tunes she sings, "Sometimes I miss that feeling of falling/
- Falling on over the edge."
- </p>
- <p> Is there any future after such a fall? Not for some pop stars,
- whose recklessness has meant an early death. But Raitt's path
- led to maturity--and no sentimental rue. "It's hard to become
- a responsible, mature adult," she says. "Sometimes we all want
- to drive way too fast or never come back to our family or just
- be out of control. Yeah, I miss the wilder days of youth. But
- do I miss staying up all night and getting messed up? No."
- </p>
- <p> In the Hollywood hotel room where Raitt is chatting, a visitor
- watches her search for missing car keys and asks if she belongs
- to the Automobile Association of America. That prompts a sassy,
- alto laugh: "These days I belong to A.A. and the Triple A. I'm
- pretty disgustingly healthy. I'm a vegetarian, I don't eat dairy,
- I work out. My vice is torturing myself. My mind is my own trap.
- It is not easy to be awake with this brain all the time."
- </p>
- <p> Maybe not, but it must be an adventure. It has been from the
- start, when Raitt was born in Burbank, California, to John Raitt,
- robust tenor of Broadway (Carousel) and Hollywood (The Pajama
- Game), and his wife Marge. The Raitts were Quakers--no movieland
- socialites. Bonnie attended Quaker camps and then Radcliffe
- College. It's unlikely that inside many Cliffies a singing sharecropper
- struggles to burst out, but Raitt had been touched by John Lee
- Hooker, Sippie Wallace and other emissaries from the delta.
- In 1970 she left school to sing the blues.
- </p>
- <p> Raitt's wide repertoire and potent musicianship soon earned
- her a following among the good ole boys on both sides of the
- footlights. She spent more time on the road than Wile E. Coyote;
- she played (and still does) untold free dates in support of
- liberal causes. But her record company, Warner Bros., eventually
- dropped her, finding her mix of bar-band rock and oozy blues
- tough to market. "It's not rock," Raitt says. "It's rock 'n'
- roll and rhythm 'n' blues. That 'n' in the middle is important:
- it's a swing back and forth. I'm more interested in the side-to-side
- than the up-and-down."
- </p>
- <p> Switching to Capitol Records and teaming with ace producer Don
- Was, Raitt finally found the up. Nick of Time and Luck of the
- Draw (1991) made her a best seller without selling her out.
- "Here I am, not having sought it, but somehow getting it," she
- says. "But the idea of playing the game of being `hot' is offensive
- to me." The fact is, Raitt loves the road; hot or cold, she'll
- be happy as long as she's working. "When the lights go down,
- it is the same gig as 15 years ago. I have the coolest job of
- anyone I know." On the new album that joy comes through in its
- most splendid form in You, a moving declaration of love. In
- Raitt's poignant voice you can hear the ache of angels as they
- gaze down on a dark and tangled earth.
- </p>
- <p> In 1992 she wed actor Michael O'Keefe, 38, now a regular on
- TV's Roseanne and Raitt's occasional songwriting partner. "It's
- been satisfying and very challenging," she says. "When you have
- two strong personalities, it's an adjustment to learn how to
- compromise. There's a constant thrust and parry in allowing
- the other person to have some space. It's a classic case of
- `I can't believe I'm saying these things that I heard my parents
- say across the dinner table.' "
- </p>
- <p> A knowledge of the blues tells Raitt that life is a heroic struggle.
- "Just because you have some of your dreams realized," she says,
- "doesn't mean you're necessarily going to be content." The hurt
- and the hope are evident in her new album's last cut, Shadow
- of Doubt, in which Raitt sounds like a Mississippi field hand,
- bent by age and travail: "Oh but Lord no/ Don't make it easy/
- Keep me workin'/ 'Til I work it on out/ Just please, please/
- Shine enough light on me/ 'Til I'm free from/ This shadow of
- doubt."
- </p>
- <p> Prayer answered. Bonnie Raitt is out of the shadow, into the
- light.
- </p>
-
- </body>
- </article>
- </text>
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